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Language and its Opposite

The Walworth Farce – The longer you work in theater the more intriguing it becomes. The basic fact that audiences are able to look across an imaginary line and see into a different time and place becomes more remarkable the longer you ponder it. The embodied nature of theater - that there are bodies up there speaking the words - also seems to accrue significance. In a subtle way the embodied present of the speaking actor pulls against the basic truth claim of the words themselves, opening a little window of freedom. The fact that dramatic characters are almost never attuned to this freedom only makes statements on stage inherently poignant and ironic in a way they can never be on the page. When playwright, director and performer are … [Read more...]