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Death and the Avant-Garde in Our Neoliberal Nightmare

The Ontology of Tantrum — On the eve of George W. Bush’s re-election in 2004 I happened to attend a performance of Sarah Kane’s 4:48 Psychosis at UCLA and, oddly enough, it was the perfect work of art to draw me back from the brink. I thought of this again after finding myself on the edge of an even deeper abyss following the debacle of November 6, 2016, when two recent productions served a similar purpose. I’m talking about Marissa Chibas’s The Second Woman at Bootleg, and Letter to a Man by Robert Wilson and Mikhail Baryshnikov at UCLA’s Royce Hall. Both productions managed to cast new light on our increasingly dire situation in the US, reminding me in very different ways of the ferocity with which our right wing elite has been waging … [Read more...]

Shakespeare’s Sonnets: BAM Next Wave

“I don’t want to know why I do anything, I just do it and look at it and then do something else.”   —Robert Wilson In a darkened theater at the Brooklyn Academy of Music (BAM), a lone bard, standing beneath a spotlight wearing Elizabethan garb and exaggerated, Kabuki-like makeup, delivers the opening lines to Shakespeare’s Sonnets. In charismatic German she sets the tone, as all prologues should, for the evening yet to unfold. A production directed by the notoriously stylistic Robert Wilson, scored by the singer/songwriter/composer Rufus Wainwright and performed by the Berliner Ensemble, famously founded by Bertolt Brecht in 1949, Shakespeare’s Sonnets was imported from Europe this fall as part of BAM’s Next Wave Festival. Five years … [Read more...]