July 5, 2011

Now It’s A Church

Rather than searching for exotic subjects in distant locations, I observe and document the uncharted subcultures of “next door.” I aim to capture the majesty of the unexpected, often plain, center of the universe in which like-minded people find a place to belong.

I’ve always been intrigued by handcrafted churches that were once stores or homes. A closer look at these places of worship in Los Angeles and Chicago reveals details often missed as they are passed on urban streets. Choices of colors, and/or words, meant to draw the seeker, are thought out and executed with various styles and degree of skill.

These churches are often neighbored by empty lots, previously occupied by owners not blessed with the same tax-exempt status that enables the pillar of faith to stand.  Like faith can sometimes be, these sanctuaries are often transient…here one day, gone the next.  But, in their glory, they provide comfort and shelter; the same as can be found in any grand religious structure — Nancy Baron

Please click to enlarge and for artwork details.

© Nancy Baron

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September 23, 2010

Summer NIght, Driftwood Crystals

Top Left: Beaumontia Grandiflora with Mexican Latern      Top Right: Driftwood Crystals

Bottom Left: Stag Horn Fern, Platycerium            Bottom Right: Grape Lights Entwine with Wisteria

© Nancy Cantwell

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September 19, 2010

Summer Night, Hindu Rope

Top Left: Hoya Copacta or Hindu Rope, Verigated       Top Right: Stag Horn Fern, Platycerium

Bottom Left: Stag Horn Fern, Platycerium                     Bottom Right: Begonia Bloom with Palm Leaf

© Nancy Cantwell

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November 11, 2009

Cultural Nostalgia

Frame of MindPhotography by Paul Cabanis.

Los Angeles feels like the Mid-Century capital of the world. Expressions of Post War optimism, modernism, futurism and a burgeoning mid-century identity don’t just linger on, they flourish. These photographs, shot in 2008, with an Olympus Pen EE (1961) half frame camera and using out of date film, feel particulary appropriate. The merging of dated technology with a hint of an adopted reminiscence combine to deliver this wafting sense of 1960’s cultural nostalgia. And all the more fitting as the Olympus Pen EE was the first camera to introduce automatic exposure; great pictures, guaranteed, with just the push of a button.

A real point and shooter, just like Paul.

firstcolor.jpg


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March 30, 2009

OutTake – All Together

“OutTake” is a series of work originally shot in 1984 and re-photographed in 2008. These new photographs, taken of Polaroid lighting tests from the original sessions, are intended to be seen as a strip and have been posted on TQ in sequence starting from right to left. The aging Polaroid gel remnant gives each “new” print a particular frame and focus. OutTake identities have a matter-of-fact quality. They lack the, “psychological insight” to which the original, formal, silver prints had aspired. The unique identiy of the sitter has been supplanted by the unique identity of the print. Released from their original agenda, these new portraits become free to take their place alongside “no one”.            Click on the Photo to Enlarge.

“Now we distrust depths, interiors, hidden truths. Meanings lie on the surfaces, artefacts of an occasion rather than truths about persons….
Sophisticated looking at photographs now wants the inscription within the image of signs of its making, marks of its being a photograph after all and not a timeless truth.” _ Alan Tractenberg, 2000

© Nancy Cantwell

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