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	<title>Times Quotidian &#187; Handel</title>
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	<description>...an Infinite Amount of Things to Speak Of</description>
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		<title>Pleasure&#8217;s Exhortation</title>
		<link>http://www.timesquotidian.com/2009/03/20/pleasures-exhortation/</link>
		<comments>http://www.timesquotidian.com/2009/03/20/pleasures-exhortation/#comments</comments>
		<pubDate>Fri, 20 Mar 2009 20:15:43 +0000</pubDate>
		<dc:creator>Nancy Cantwell</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Aria de Piacere]]></category>
		<category><![CDATA[Cecilia Bartoli]]></category>
		<category><![CDATA[Come nembo che fugge col vento]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Il Trionfo del Tempo e del Disinganno]]></category>
		<category><![CDATA[oratorio]]></category>

		<guid isPermaLink="false">http://www.timesquotidian.com/?p=1580</guid>
		<description><![CDATA[If you have never experienced Cecilia Bartoli live then you may have missed the whole drama. There is such an infectious exuberance in her performances. She is manifestly compelling. I have been looking for a video that does her justice, but as much as I may enjoy the looking, the listening pales. So let me [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.timesquotidian.com/wp-content/uploads/2009/03/3_med.jpg"><img class="alignleft size-full wp-image-1591" title="Cecilia Bartoli" src="http://www.timesquotidian.com/wp-content/uploads/2009/03/3_med.jpg" alt="3_med" width="240" height="240" /></a>If you have never experienced <a href="http://www.ceciliabartolionline.com/index.html" target="_blank"><strong><span style="color: #000080;">Cecilia Bartoli</span></strong></a> live then you may have missed the whole drama. There is such an infectious exuberance in her performances. She is manifestly compelling. I have been looking for a video that does her justice, but as much as I may enjoy the looking, the listening pales. So let me offer you this,  <strong>Pleasure&#8217;s Aria</strong> from <a href="http://translate.google.com/translate?hl=en&amp;sl=it&amp;u=http://www.haendel.it/librettisti/pamphili.htm&amp;ei=4ezDSdCMGYnYsAO_7MX9Bg&amp;sa=X&amp;oi=translate&amp;resnum=4&amp;ct=result&amp;prev=/search%3Fq%3Dbenedetto%2Bpamphilj%26hl%3Den%26client%3Dsafari%26rls%3Den-us" target="_blank"><span style="color: #000080;">Handel&#8217;s </span></a><em><span style="color: #000080;"><span style="color: #000000;"><a href="http://translate.google.com/translate?hl=en&amp;sl=it&amp;u=http://www.haendel.it/librettisti/pamphili.htm&amp;ei=4ezDSdCMGYnYsAO_7MX9Bg&amp;sa=X&amp;oi=translate&amp;resnum=4&amp;ct=result&amp;prev=/search%3Fq%3Dbenedetto%2Bpamphilj%26hl%3Den%26client%3Dsafari%26rls%3Den-us" target="_blank"><span style="color: #000080;">Il Trionfo del Tempo e del Disinganno</span></a></span><span style="color: #000080;"> </span></span></em>(The Triumph of Time and Enlightenment). Opera Proibita, Cecilia Bartoli, les Musiciens de Louvre — Grenoble, Marc Minkowski. 2005 Decca Music Group</p>
<p>This 18th century allegorical oratorio, libretto by Benedetto Pamphilj, in which Time and Enlightenment gradually persuade Beauty to relinquish her attraction to the transitory joys of Pleasure, feels quite&#8230;contemporary.</p>
<p>HANDEL<br />
<strong> Come nembo che fugge col vento</strong></p>
<p><strong>Pleasure&#8217;s Aria</strong><br />
<em> Il Trionfo del Tempo e del Disinganno</em></p>
<p>As a cloud that flees with the wind,<br />
Stern and angered I flee from you.<br />
If deceit is all my substance,<br />
How can I live in Truth?</p>
<p><strong>Aria de Piacere</strong><br />
<em> Il Trionfo del Tempo e del Disinganno</em></p>
<p>Come nembo che fugge col vento<br />
Da te fuggo sdegnato e serero.<br />
Se l&#8217;inganno e il mio solo alimento<br />
Come viver io posso ne Vero?</p>
<p>Libretto by Benedetto Pamphilj</p>
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		<title>Happy Birthday George Frideric Handel</title>
		<link>http://www.timesquotidian.com/2009/02/23/happy-birthday-george-frideric-handel/</link>
		<comments>http://www.timesquotidian.com/2009/02/23/happy-birthday-george-frideric-handel/#comments</comments>
		<pubDate>Mon, 23 Feb 2009 15:09:39 +0000</pubDate>
		<dc:creator>Nancy Cantwell</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Andreas Scholl]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Lorraine Hunt Lieberson]]></category>
		<category><![CDATA[Serse]]></category>

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		<description><![CDATA[George Frideric Handel (23 February 1685 – 14 April 1759) Here, for a taste comparison, are two versions of &#8220;Ombra mai fu&#8221; from Handel&#8217;s opera Seres (Xerses).
The first selection is from the late mezzo-soprano Lorraine Hunt Lieberson. Handel Arias, Harry Bicket and the Orchestra of the Age of Enlightenment.
Selection two is from the counter-tenor Andreas Scholl. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://en.wikipedia.org/wiki/Handel"></a><strong><span style="color: #000080;"><a href="http://en.wikipedia.org/wiki/Handel"><span style="color: #000080;">George Frideric Handel</span></a></span></strong><span style="color: #000080;"> </span>(23 February 1685 – 14 April 1759) Here, for a taste comparison, are two versions of &#8220;Ombra mai fu&#8221; from Handel&#8217;s opera <a href="http://en.wikipedia.org/wiki/Serse"><span style="color: #000080;">Seres</span></a> (Xerses).</p>
<p>The first selection is from the late mezzo-soprano <a href="http://www.newyorker.com/archive/2006/09/25/060925crmu_music"><strong><span style="color: #000080;">Lorraine Hunt Lieberson</span></strong></a>. Handel Arias, Harry Bicket and the Orchestra of the Age of Enlightenment.</p>
<p>Selection two is from the counter-tenor <a href="http://www.andreasschollsociety.org/"><span style="color: #000080;"><strong>Andreas Scholl</strong></span></a>. Here from the Heroes CD, Sir Roger Norington, also with the Orchestra of the Age of Enlightenment. </p>
<p>It is difficult not to become rhapsodic when describing <strong>Lorraine Hunt Lieberson</strong>. Her voice possess a pure emotionality tempered by intelligence. When she died at the age of 52 in 2006 it sparked in me a moment of mortality that I could not shake for days. How was it possible that a presence so vital, visceral, could be lost?</p>
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