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An Interview with Bruce Licher – A Graphics Composition

Introduction and Three Part Conversation with TQ's Aram Yardumian and Graphic Artist-Musician Bruce Licher —   Prolegomenon, Part One, Part Two, Part Three Generously shared, below are selections from Bruce Licher's personal archives of his graphic design and letterpress art. . Flyer for the event at the Los Angeles Museum of Art for the performance on November 8th, 1980, featuring Bridge, Neef, Arrow Book Club (Urinals-related experimental rock combo), films by John Talley-Jones, Brent Wilcox and Bruce Licher, along with metal performance Front cover of a fictitious NEEF LP created by Bruce Licher in a silkscreen printing class at UCLA Slash magazine review of Project 197, along with an ad … [Read more...]

An Interview with Bruce Licher – Part 3

Introduction and Three Part Conversation with TQ's Aram Yardumian and Graphic Artist-Musician Bruce Licher  — Prolegomenon, Part One, Part Two, A Graphics Composition   Aram Yardumian: It’s hard for me to talk about the films without having seen them—I realize there is a  Sordide Sentimental video version of your work, it's difficult to find, but I’m interested in how you think the films fit into your overall aesthetic trajectory. Bruce Licher: Early on in my college days I was really fascinated with the industrial aesthetic. I was interested in Throbbing Gristle and the others, but more than that it was the old factories and there was just an aesthetic about that. I think a lot … [Read more...]

An Interview with Bruce Licher – Part 2

Introduction and Three Part Conversation with TQ’s Aram Yardumian and Graphic Artist-Musician Bruce Licher —   Prolegomenon, Part One, Part Three, A Graphics Composition   Aram Yardumian: After Neef, Project 197 and Bridge really took a very different direction, musically. What do you remember about this ‘transition’? Neef, "The Mean Free Path", Neef cassette, 1979   Bruce Licher: Neef was very collaborative and improvisational. Project 197 was my attempt at doing my own, well, project. I asked a couple of guys to come in, but most of the music on that was mine. Mark and Kevin added the drums and percussion. Brent Wilcox handled all the recording. Bridge just came out … [Read more...]

An Interview with Bruce Licher – Part 1

Introduction and Three Part Conversation with TQ's Aram Yardumian and Graphic Artist-Musician Bruce Licher — Prolegomenon, Part Two, Part Three, A Graphics Composition Aram Yardumian: Yours is a very intricate history, especially once all the editions of the records are considered. How did it all begin? Bruce Licher: When I was in college I had started going to see punk bands at the various clubs in Hollywood, and then eventually the earliest of the post-punk bands. It was really exciting, and there was a part of me that wanted to be part of that, too, so that's why I started to create music. But it was funny, even when I was going to see the punk bands in the clubs I kept thinking, well, I don't know … [Read more...]

An Interview with Bruce Licher – Prolegomenon

Introduction and Three Part Conversation with TQ's Aram Yardumian and Graphic Artist-Musician Bruce Licher — Part One, Part Two, Part Three, A Graphics Composition We are still tabulating the effects of the post-punk era on popular culture. Still drawing lines all over the genealogical surface, still overestimating Talking Heads, and still letting many of the real geniuses remain countersunken in the clutter. Mark E. who? Birthday what? If it’s less about aggressively capturing specific textures and more about tearing open the net wide enough for yet another generation of customers to swim in, the real innovators were too obsessed with the art to care. Among the many creative thunderclaps that burst over southern California in the … [Read more...]