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Death Defying

Sur Les Traces de Dinozard, Faustin Linyekula, Choreographer, September 29, REDCAT — To open its 2017-2018 season, REDCAT offered a dramatic dance/theatre/music presentation of the 90-minute performance of Sur Les Traces de Dinozard ("In Search of Dinozard"), choreographed, directed and danced by the award-winning Congolese artist, Faustin Linyekula. His troupe of seven male singer/dancers, known as Studios Kabako, mesmerized the audience with tableaux of death and survival, music and movement, memory and hope. Born out of more than a century of colonization, corruption and killing in Central Africa, the evening's words and images will haunt anyone who experienced them. REDCAT deserves continued praise for expanding … [Read more...]

The Body at the Center

Christian Rizzo / ICI—CCN MONTPELLIER: d’après une histoire vraie — September 15th was the first of four nights of a ballet featuring eight male dancers accompanied solely by two drummers for a 70 minute performance.  Curiosity about how this melange of 16 bare feet and two piles of percussion instruments could entertain an audience for over an hour is what drew some of us to REDCAT. We were not disappointed after the house lights went down and were soon transfixed by what we saw and heard. When the lights came back up, the two-minute standing ovation for the performers was enthusiastic and well-deserved. The choreographer, director and designer of the production is Christian Rizzo, a man with a truly … [Read more...]

Dancing with Kafka

Der Bau - Isabelle Schad | Laurent Goldring from Théâtre Auditorium Poitiers — The exceptional is what one comes to expect from the programing at REDCAT. Some original presentations during a recent fortnight have included TeatroCinema's ingeniously staged Historia de Amor and an evening of often bleak, always beautiful films by the late director Chantal Akerman. April 17th proved again the daring temperament with a performance by Berlin based choreographer Isabelle Schad and French artist Laurent Goldring. Isabelle Schad has re-imagined an unfinished novella by Franz Kafka, entitled Der Bau (The Burrow). When the lights came up, the only things visible on stage were four or five bunched-up pieces … [Read more...]

Last Dance: Tanaquil Le Clercq

Afternoon of a Faun: Tanaquil Le Clercq (2013), directed by Nancy Buirski — For balletomanes everywhere and people fond of late-1940's British movies; for Hans Christian Anderson fairy tale readers and "glorious Technicolor" aficionados; for girls and boys who hope to dance on stage at Covent Garden or Lincoln Center when they grow up; for members of Moira Shearer and Anton Walbrook fan clubs; for those who appreciate Brian Easdale film scores and Jack Cardiff cinematography; for hopeless romantics who become emotionally involved in rich, overripe stories of doomed love; for Martin Scorsese and Francis Coppola, who dusted off the overlooked work of fellow film director Michael Powell, late in his life, and helped to restore his most … [Read more...]

Exit/Exist

Gregory Maqoma/Vuyani Dance Theatre, REDCAT November 7-10, 2013 — The theatre’s house lights fade to black and audience chatter quickly subsides. Music begins—a trance beat, the brisk playing of a guitar and a quiet electronic pulse; the sound is Indian, African and middle-eastern in flavor.  Small spotlights direct our eyes downstage, center, where a black man wearing a gold sharkskin suit stands with his back to us. He is barefoot. In a moment, he begins to move in sync with the music and his joyous energy soon makes us believe he will never stop moving. The dancer is Gregory Maqoma and he is astonishing. In the first several minutes of his performance piece, Exit/Exist, we never really see his face. His movements begin slowly … [Read more...]

Mr. B …and the A.B.T.

ABT, Glorya Kaufman Presents Dance at the Music Center, Los Angeles, July 11-14, 2013 Lawrence K. Ho / Los Angeles Times The American Ballet Theatre, based in New York City, mounts an eight-week season of dance performances each spring at Lincoln Center. The balance of the company’s year is largely spent touring the U.S. and the world.  Los Angeles was one of their stop-overs recently—July 11-14, 2013, at the Glorya Kaufman Presents Dance at the Music Center. Four of ABT’s five performances featured one of the very first ballets—“Le Corsaire." This 3-act extravaganza is replete with pirates and slave girls, poisoned roses, Turkish pashas, music by Adolphe Adam, Leo Delibes and three more composers and a ship that sinks in a violent … [Read more...]

“Rites” of Passage

Celebrating A 100 Years of Le Sacre du Printemps The Joffrey Ballet "Rite of Spring", Dance at the Music Center, February 2013 4handsLA, Le Sacre du Printemps, Jacaranda: Thresholds, February 2013 — While other sixteen year olds sought summer employment behind the counter of MickeyD's or bagging at the local Safeway, I got lucky and was hired as a backstage "runner" at the Hollywood Bowl, the world famous outdoor amphitheater in the foothills of Los Angeles, where music concerts—classical, pop, jazz and rock—have brightened the night sky above since 1922.  As a “runner” and on stand-by for every show, I was assigned to the backstage area.  My close access to the dressing rooms allowed me the chance to meet some of the greatest … [Read more...]

In from the Cold: Winter Dancing at REDCAT

CalArts Winter Dance, The Sharon Disney Lund Dance Series, REDCAT, Los Angeles, California, 16 December 2011 – Four works were presented at the CalArts Winter Dance event for this year: first-performances of works by two CalArts choreographer-professors, followed by the renown Israeli choreographer Ohad Naharin. The evening revealed stark differences in approach, the first two works incorporating traditional and modern movements within a larger context, while the Naharin works used no conventional movement. Contemporary dance comprises a very broad range of styles, even at a school such as CalArts, known worldwide as a haven of experimental and avant-garde creativity. One of the two premieres of the evening, Los Angeles … [Read more...]

Three to Get Ready

New Original Works Festival, REDCAT, 22, 23, 24 September 2011 – An enthusiastic sold-out crowd saw a triple bill last week of two new dance works and an elaborate puppet/human operetta in the annual NOWFest at REDCAT, a three-week series that showcases new works by Los Angeles-based dance, theater, music, and multimedia performance artists. Michel Kouakou began the evening with his pseudo-solo Sack, in which he was the primary moving object. A large sack suspended from the ceiling functioned as the only prop — unless one also counts the several stationary dancers who also occupied the stage, all of whom had their shirts pulled over their faces for the duration of the 20-minute performance. Kouakou's movement cerainly contrasted … [Read more...]

In Contact

Undone: androgyne, gender and humanism Choreography and Direction: Stephanie Nugent Highways Performance Space, Santa Monica, June 10-12, 2011 – Los Angeles choreographer Stephanie Nugent presented new versions of several works in a three-day run at Highways Performance Space earlier this month. The Nugent Dance company—four women and four men—performed three varied, athletic, fresh, and valuable original works. Southern California dancers are perhaps most familiar with Nugent, a member of the dance faculty at CalArts, through her Hourglass concerts, during which audience members are invited to participate in the hour-long improvisational performance with a live music ensemble. Nugent’s compositions are informed by the history … [Read more...]