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The Lens of Gravity, Light and Time

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An Interview with Patrick Halm –  I met Patrick Halm in 2003 at plays I produced in which our mutual friend Barry Del Sherman performed. Patrick and I spoke a few times before he let me know he made films himself. When I asked if I could see some of his work, he showed me Pulse. I found it intriguing. The imagery is instantly arresting, but what struck me most is the coherence of the piece as a work of art. The challenge with experimental films of this kind often has to do with completion and closure.The sudden contrasts and juxtapositions create the moments of surprise we look for in art, but we also want the full trajectory of a piece to have a revelatory quality of its own, the sense of an organized, cumulative impact. And Pulse ... [Read more]

Viva Verwoerd?

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Nick Broomfield’s South African documentaries: “The Leader, His Driver and the Driver’s Wife”and “His Big White Self”, Metronome DVD (Region 2) ©2006 –  It was the endtimes of a fatuous delusion—the casting of a dream and the narrowing of a nightmare; the sluicing of whites-only beaches and blacks-only townships, and the opening of arms caches on Transvaal sugarcane farms; it was a time of ANC pub bombs, and meetings of obscure Afrikaner insurgents in restaurant basements to chart the overthrow of F.W. de Klerk, and germ attacks on expensive hotels, It was a time when women wore the Black Sash and police informants wore the Necklace; when mobs who could still hear the echoes of Sharpsville paced the streets of ... [Read more]

Thoughts on Photogénie

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Mesrine, Killer Instinct and Public Enemy #1, 2008, Directed by Jean-François Richet Hideaway (Le Refuge), 2009, Directed by François Ozon –  The second installment of the French gangster film, Mesrine, Public Enemy #1, based on the true crimes of the French career criminal Jacques Mesrine, was released on DVD a few weeks ago, and while the 4 hour epic quite satisfies the general expectations of the genre --fast-paced, deftly edited, and strongly acted (and over-acted)  by Vincent Cassel, it is an overall wild ride, but this pair of films are far removed stylistically from another current of French cinema that rejects flash and cheap thrills in favor of nuance and time-based filmic materialism, as evidenced in the recent DVD ... [Read more]

I Will Be Very Keen to Watch

The Interview Project Germany, Directed by Austin Lynch and Jason S, Porduced by Stephan Balzer/ Sabrina S. Sutherland/ Jon Nguyen/ Christopher Trela –  Apparently I was not the only one glued to last year's David Lynch presentation The Interview Project. This is the documentary series, directed by Austin Lynch and Jason S, that roamed from coast to coast of the United states, not seeking, but always finding people whose stories needed to be told. These short portraits, no matter how unremarkable, became compelling tales by the sheer cumulative affect of the human condition and as Lynch so aptly put it "It's Something So Human and You Can't Stay Away From It." The Interview Project won both the 2010 Webby for Best Documentary: ... [Read more]

Snout

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About SNOUT (2008) I tend to find “one person shows” somewhat deadly. The deadliness is not rooted in the banality or the narcissism that have characterized many (but not all) such spectacles. What I have always objected to most is how inert and unexplored the theatricality often is. For me, as for many people who work in theater, the stage is really a big deal – a sacred space – and it’s really not good to just plunk something down in that space and simply uncap it. I have always thought that most one-person shows would be vastly improved by simply placing on stage a second person, a listener. Suddenly, there’s tension, a sense of danger and also allure. The question, what will happen?, begins to animate the moments as they ... [Read more]

Sight and Sound

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Iannis Xenakis: Now and Tomorrow Curtis Roads: New Work, with Brian O'Reilly, Video, REDCAT, January 30, 2011 –  The CalArts Center for Experiment in Art, Information and Technology (CEAIT) Festival returned this year to REDCAT with an extraordinary three nights of concerts and two symposia featuring the work of the highly experimental architect and composer Iannis Xenakis. Presented in conjunction with the MOCA exhibition Iannis Xenakis: Composer, Architect, Visionary, Angelinos got a rare opportunity to dote on the work of this complex hybrid master. The culminating CEAIT program included Xenakis works, Dikhthas (1979), Epicycles (1989), Akanthos (1977) and Polytope de Cluny (1972), and that night's opening performance ... [Read more]

Owning the Means of Connection

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The Social Network, David Fincher, Director, Aaron Sorkin, Screenplay, 2010 –  If you’re like me, you’re partial to narratives of hope. You want things to work out, for yourself certainly…but also for the people you care about and the traditions you identify with and think are healthy. From childhood on you’ve felt burdened by a sense that something is wrong, a little bit wrong maybe, or maybe a lot wrong, depending on your temperament. We can talk about that sense of wrong-ness as free-floating anxiety, dukkha, original sin – my point is only that, like me, you probably tend to assemble daily experience into story lines – narratives – that make a plausible case for why your world is moving in a less-wrong ... [Read more]

Ecce Heston

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How to Survive Our Own Success – In Santa Fe dramatic thunderstorms are common late on summer days. Afterwards the massive banks of purple clouds will often part, allowing shafts of intense sunlight to angle down, creating sometimes vivid rainbows. At a house near downtown last summer I saw a rainbow like this, clear as a Technicolor dream. I was with a group of young scientists and I watched as their wonder shifted into analytical mode – here is an example of water molecules interacting with rays of refracted light – and then back again toward a more embodied appreciation. The sequence reminded me of the Buddhist saying in which a mountain becomes, for the meditator, something very different …and then, at a later stage, ... [Read more]

The Fashionable Mr. Anger

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Missoni Fall Campaign 2010, a film by Kenneth Anger Puce Moment (1949), a film by Kenneth Anger – September is here and even though I have thoroughly combed through the collections, I still race to see how the venerable magazine fashion editors piece it all back together. So far I have found the the massive amount of pulp to be fairly prosaic (yes I capitulate there are a few economic restraints to reflect upon), and really, what could possibly compete with Fall 2009's Grace Coddington Little Red Riding Hood spread? This year however, before I could even crack the magazine covers, my fashionista cohorts were directing me towards another venerable artiste who seems to be in vogue once more. Kenneth Anger, the octogenarian ... [Read more]

The Good Fight

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Life During Wartime, 2009 (in current release), a film by Todd Solondz –  The first shot of Life During Wartime has Joy (Shirley Henderson) quietly weeping, as she sits across from her boyfriend Allen (Michael Kenneth Williams) in a restaurant booth done in upholstery inspired by strychnine hallucinations. Framed in a peculiarly awkward way by crooked bangs and virgin eyebrows that appear never to have been tweezed,  her lovely face will not remain still, but continues blubbering. The upholstery and her tears taken together is alienating–passively aggressive and demanding–and yet whatever your emotional response, the scene has an unsettling quality, as though you have been manually probed and your fraudulence has been exposed. ... [Read more]