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An Interview with Eric Lunde – Part Two: The 80’s

Eric Lunde: 33 Years of Assault & Chaos – A three part serial conversation with TQ’s Aram Yardumian and Wisconsinite Eric Lunde.  We talk about nonlinear dynamics, noise systems, auto racing, and the roots of the Industrial scene in America. We do not talk about Ed Gein. Introduction and Serial Three-Part Interview Prolegomenon, Part One: Assaults on Culture, Part Three: The Aesthetics of the Crash Aram Yardumian: Regardless of my probably under-developed efforts to understand where you're coming from, what would you say are the artistic questions which interest you most these days? Eric Lunde: Neuroscience and Quantum Physics, I’ve been engaged for the last ten years in a study of both. Fascinating, intriguing. Immense … [Read more...]

An Interview with Eric Lunde – Part One: Assaults on Culture

Eric Lunde: 33 Years of Assault & Chaos – A three part serial conversation with TQ’s Aram Yardumian and Wisconsinite Eric Lunde.  We talk about nonlinear dynamics, noise systems, auto racing, and the roots of the Industrial scene in America. We do not talk about Ed Gein. Introduction and Serial Three-Part Interview Prolegomenon, Part Two: The 80s, Part Three: The Aesthetics of the Crash The following conversation with Eric Lunde took place via email in June of 2015. Aram Yardumian: Tell me about your time as a film student at the University of Wisconsin-Milwaukee I believe you were running experiments in re-recording video through multiple generations to see what emerged from the information loss. In fact, I think I remember … [Read more...]

An Interview with Eric Lunde – Prolegomenon

Eric Lunde: 33 Years of Assault & Chaos – A four part serial conversation with TQ’s Aram Yardumian and Wisconsinite Eric Lunde.  We talk about nonlinear dynamics, noise systems, auto racing, and the roots of the Industrial scene in America. We do not talk about Ed Gein. Serial Three-Part Interview Part One: Assaults on Culture, Part Two: The 80's, Part Three: The Aesthetics of the Crash Aesthetic violence and assaults on culture have a long, deep-reaching history among both tyrants and the alienated. Destruction of iconography and memory, depictions of suffering, and staged assaults on institutions and values with intent to expose, displace, and destroy them. It is possible to argue that violent practice is counterproductive, … [Read more...]

Respirator

Mozart and Mendelssohn's Grand Tour, Los Angeles Chamber Orchestra, Royce Hall, May 2015 — "The Los Angeles Chamber Orchestra was founded in 1968", as their program states, "as an artistic outlet for the recording industry's most gifted musicians". Its first concert took place the following year led by the group's original music director, Sir Neville Marriner. For the past 18 seasons the ensemble has been under the baton of the energetic conductor and pianist Jeffrey Kahane. A performance on May 17th--the final offering in L.A.C.O.'s current season--illustrated that Kahane's players are some of the best, conservatory-trained "studio musicians" available. The concert was held at UCLA's Royce Hall. L.A.C.O.'s "Sound Investment" donors … [Read more...]

The Art of Song

SCHUBERT & SCHUBERTIADES, Le Salon de Musiques, February 8, 2015  In only 16 years of actual composing, Franz Schubert created more than a thousand works of music. It's an astonishing feat and his output has continued to influence every generation of musicians that followed him. Yet, despite this amazing achievement, Schubert's life in his home town played out as a woeful tune, full of melancholy and misery. Haydn, Mozart, Beethoven and other composers enjoyed the patronage of aristocrats and royalty in their adopted city of Vienna. Schubert, who was born there in 1797, could only rely on the support of his friends; when money was scarce, they paid for his wine and gave him a few florins to buy tobacco for his pipe. His mother … [Read more...]

Coates …Of Many Colors

Gloria Coates: Portrait Concert, REDCAT, Nov.13, 2014— (Kirk McKoy / Los Angeles Times) Mid-way through its fall season, REDCAT once again stepped out of the box with the presentation  "Gloria Coates: Portrait Concert". The composer, whose output is considered to follow in the footsteps of New Music pioneers the likes of Stockhausen, Ives and Xenakis, was in attendance and roundly applauded at her brief bow, post-performance. Three of her works were promised: Night Music and Symphony # 10, both written in 1992, and the world premiere of an opera called Stolen Identity, composed in 2010-11. REDCAT described Gloria Coates as "a prodigious composer of orchestral and chamber works since the 1960's" who is "acclaimed for uncanny music that is … [Read more...]

English Impressions

John Ireland, Frank Bridge and Howard Hanson, Le Salon de Musiques, October 12, 2014 — A jewel in the crown of Los Angeles culture has returned for its fifth season, Le Salon de Musiques - Masters Rediscovered, continues its series of chamber music concerts devoted primarily to late 19th and early 20th century compositions at the Dorothy Chandler Pavilion's Fifth Floor. The opening recital, played on October 12th, carries on Le Salon's tradition of presenting obscure but always insightful treasures from the post-Romantic era. All of the pieces--two from British composers John Ireland and Frank Bridge, one by an American, Howard Hanson—deserve a wider audience and greater recognition. Ireland (1879-1962) and Bridge (1879-1941) were … [Read more...]

Pete and Royce Resurface

Suffering of Tomorrow and Days of Destruction, [Musicbazz, 2012, 2013] — The 1970s were painful years for Athenians. Seven years of military dictatorship, beginning in 1967, brought uncertainty into the homes of all who had fought for three decades against the deep political division whose roots grew in the soil of Axis occupation and the Greek Resistance. It was a bitter time of cultural suppression and appeals to patriotism, rural simplicity, and secret torture clearinghouses. These kinds of parochial and inward looking cultural values have been argued as the doctrinaire stance of a prime minister with rural roots, a form of reactionary traditionalism, or an antidote to the Truman Doctrine and its kudzu vine of … [Read more...]

Russian Soul

Medtner, Rachmaninoff and Arensky, Le Salon de Musiques, February 9th 2014 — Moves Pogossian, Mona Golabek, John Walz, Edith Orloff The latest presentation from Le Salon de Musiques—the fifth in its season of nine chamber music concerts—took place on February 9th. The setting, overlooking downtown Los Angeles, was an intimate corner of the Dorothy Chandler Pavilion’s fifth floor.  The program featured music by Russian composers—Sergei Rachmaninoff, Anton Arensky and Nikolai  Medtner—all born between 1861 and 1880 and each well-acquainted with the other two.  In his introduction, Le Salon’s artistic director Francois Chouchan said, “Tonight, when you listen to this music, I hope you will feel the Russian soul”. Chouchan clearly … [Read more...]

Hallucinations…and Hymns

Hallucination, A Tribute to Mary Bauermeister, Jacaranda, January 25, 2014 — Jacaranda, the concert series in Santa Monica now in its 10th season, gave listeners two solemn, stunning performances on January 25th. With important compositions by Iannis Xenakis and Karlheinz Stockhausen —two originators of “electronic music”—the evening offered the possibility of explosive, sonic fireworks. But candlelight in a hushed room might have better suited the reverential tone of this music, despite its many unusual and fervent sounds. It was fitting that Jacaranda’s Halluncination take place in the modern, airy sanctuary of Santa Monica’s First Presbyterian Church. Patrick Scott, the Artistic Director of Jacaranda, writes copious, … [Read more...]