HOME     BLOG VIEW     ABOUT     CONTACT     SUBSCRIBE

Little Scenes 7&8

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Little Scenes 5&6

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Little Scenes 3&4

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —   … [Read more...]

Collective Quad

A Vegetation Collective, iPhone, 2014 … [Read more...]

Aquatic Quads

Seattle Aquarium, 2010 Monterey Bay Aquarium, 2014 … [Read more...]

Little Scenes 1&2

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Desert Series, Selection_Three

Desert Series, Selection (1991-2000), Photography by Brian Forrest — Two Roads, 1992 Dark Field, 1992 Tissue, 1996 Fence 1997 … [Read more...]

Memorial

For the many and the singular whose lives have been swept away through fear, anger and pride.   All Photography © Nancy Cantwell   … [Read more...]

Signs of Our Time

Melrose Avenue Graffiti, Photography by Michael Varhol — I found Graffiti Girl, the work of street artist Common Cents, on Melrose Avenue and was drawn in by her old school Betty Page sexiness and her enticing pose.  With her face half hidden behind an alluringly raised shoulder and spray can at the ready, she symbolizes the inherent illicitness of graffiti and street art, both in its uncensored content and often unauthorized use of public spaces and private property. Like the artists themselves, Graffiti Girl keeps her identity hidden, exemplifying the art form’s seductive outlaw aura while inviting viewers to live a little dangerously themselves. The temporariness of the work, which can appear and disappear within the space of an … [Read more...]

Desert Series, Selection_Two

Desert Series, Selection (1991-2000), Photography by Brian Forrest — Landing Strip, 1994 Badwater Path, 1994 Circles, 1998 Twin Trees, 1996     … [Read more...]