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The Ambidextrous Artist

Peter Kennard, Domesday

The Photograph and Text, An Inquiry My fascination with words and images began when I was a teenager and encountered I Am A Lover, a book of photographs by Jerry Stoll with accompanying quotations selected from various sources by writer Evan S Connell, Jr.. For me, living a provincial life on the East Coast, I was enchanted by these black and white photographs of bohemian life in the San Francisco of the fifties -- poets reading their work, jazz musicians in clubs, artists’ studios, street life, photographed not as documentation but as smoky evocation. And then to read, next to, above, under, on the opposite page, words that were sometimes humorous, sometimes lyrical, always apposite and oblique to the image —this was revelation. ... [Read more]

Nesting Instinct – First Encounter

OrangeCrownedWarblerNest_1

The Nests of Lindsay Wildlife Museum This is the first installment of a three part series on the Nests of Lindsay Wildlife Museum. Part 2, "Behind the Scenes" will take a look at how the nests are collected, categorized, conserved and studied before display. Part 3, "Outreach" is an interview with the museum's Natural History Curator, Marty Buxton. First Encounter I am not a birder, too much looking through binoculars and neck strain, but that doesn’t keep me from being fascinated by their lives. I first came to the Lindsay Wildlife Museum and Hospital with a small finch, a pine siskin, that had flown into my house, having been attacked by my cats. After delivering my bird, who sadly did not make it, I walked around the museum, ... [Read more]

Move Along

Eucaplyptus_1

Many a conversation takes place on the walk that circumscribes the Lake Hollywood Reservoir. There things get sorted out, affairs get settled, decisions are made and plans are put into play. My favorite lakeside conversation is the one that I indulge in with myself. The distances I have traveled on foot pale in comparison to the distances I have traveled inside my mind. Not a meditation, more of a circumspect rumination. Here at the reservoir I surf the vortex of mind matter that rents space in my brain. My mind matter often takes on a density, behaving more like an event horizon than the lithe notes of a Mozart score. But then, there is the walking. And as vigilant as is my predisposition to codify, to conserve, the walking let's you ... [Read more]

The Specious Present

AR-4-0120

The Photography of Alison Rosstier Time is deceptive. It is always hiding something. The present is so fleeting that only the past and future may be comprehended. The nano-second of immediate event perception, the “specious present” is understood only in reflection. Every moment of consciousness is spent processing what has just past while constantly anticipating the future. The brain must contextualize each thought to make sense of the world, time-traveling relentlessly in an information-saturated world that threatens to overwhelm  the ceaseless internal dialogue that defines us to ourselves. “Time isn’t like the other senses. Sight, smell, touch, taste, and hearing are relatively easy to isolate in the brain. They have ... [Read more]

Now It’s A Church

Rather than searching for exotic subjects in distant locations, I observe and document the uncharted subcultures of "next door." I aim to capture the majesty of the unexpected, often plain, center of the universe in which like-minded people find a place to belong. I've always been intrigued by handcrafted churches that were once stores or homes. A closer look at these places of worship in Los Angeles and Chicago reveals details often missed as they are passed on urban streets. Choices of colors, and/or words, meant to draw the seeker, are thought out and executed with various styles and degree of skill. These churches are often neighbored by empty lots, previously occupied by owners not blessed with the same tax-exempt status that ... [Read more]

Solar Glyphs

Chris McCaw's Sunburn Series Every ancient culture has a sun legend: Neolithic petroglyphs depict solar barges carrying the sun across the sky while the Egyptian, Greek, Vedic, Nordic, Chinese, Japanese, North and South American Indian cultures had  sun deities and sun myths, representing the sun as a source of both life and death. Modern man knows that our sun, a yellow dwarf star, is about five billion years old. It is 92.5 million miles away and travelling at 186 thousand miles per second , its light takes approximately 8.2 minutes to reach earth. The sun’s photosphere -from the Greek word for light=photo and sphaira=ball, is a constant fusion of hydrogen and helium, which produces our sunlight. Please click on the image to ... [Read more]

Inside the Artist’s Studio: Brian Forrest

"Inside the Artist's Studio" is an-ongoing series exploring issues  on contemporary art through direct encounters with the artists themselves. Please click on the image to enlarge and for all artwork details. A Radical Arcadia “There have always been two kinds of arcadia: shaggy and smooth; dark and light; a place of bucolic leisure and a place of primitive panic”, Simon Schama tells us in Landscape and Memory, one arcadia being “a dark grove of desire, but also a labyrinth of madness and death”. He further describes certain arcadias as purposefully and importantly untamed: “turf, gorse, heather, and timber, trees, shrubs and brushwood” of the heaths outside of 19th century London were a cherished gift to the city ... [Read more]

Points of Departure

New Photography 2010: Roe Ethridge, Elad Lassry, Alex Prager, Amanda Ross-Ho, MoMA September 29, 2010–January 10, 2011 A recent show at MoMA titled New Photography 2010 exemplified a growing trend in art where new artworks look old. In New Photography, four photographers work with dated imagery, a dated aesthetic, and in a referential manner, restaging Alfred Hitchcock film stills, Cindy Sherman photographs, or recycling an image of Goldie Hawn happily smiling from 1970s. Newness is the one thing the artwork conspicuously lacked. Instead of judging the artwork itself and whether we like it or not, it is infinitely more productive to consider why it is that young artists are using various techniques to draw their viewers backward in ... [Read more]

Bibliotecture

Ecalator

Seattle Central Library, USA, OMA / LMN – A Joint Venture Commissioned:1999 Completed: 2004 From the Original Project Proposal 1999 At a moment when libraries are perceived to be under threat from a shrinking public realm on one side and digitization on the other, the Seattle Central Library creates a civic space for the circulation of knowledge in all media, and an innovative organizing system for an ever-growing physical collection – the Books Spiral. The library's various programs are intuitively arranged across five platforms and four flowing "in between" planes, which together dictate the building’s distinctive faceted shape, offering the city an inspiring building that is robust in both its elegance and its logic. read ... [Read more]

Derailed

Jean-Pascal Imsand: Photographer, Swiss, (1960-1994) Lorraine Anne Davis is a curator-appraiser of fine art photography and a board member of the Fondation Jean-Pascal Imsand. Her lecture, The Famous, The Infamous and the Anonymous, A History of Portraiture in Photography will be given at the Center for Creative Photography in Tuscon, February 4, 2011 to accompany the CCP exhibition FACE TO FACE: 150 Years of Photographic Portraiture Gifted with exceptional visual talents, Jean-Pascal Imsand rose to prominence in the European world of fineart photography, only to end his own life at the age of 34. He left behind a legacy that has continued to grow making this master photographer—with his oeuvre of poignant documentary work and ... [Read more]