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Exit/Exist

Gregory Maqoma/Vuyani Dance Theatre, REDCAT November 7-10, 2013 — The theatre’s house lights fade to black and audience chatter quickly subsides. Music begins—a trance beat, the brisk playing of a guitar and a quiet electronic pulse; the sound is Indian, African and middle-eastern in flavor.  Small spotlights direct our eyes downstage, center, where a black man wearing a gold sharkskin suit stands with his back to us. He is barefoot. In a moment, he begins to move in sync with the music and his joyous energy soon makes us believe he will never stop moving. The dancer is Gregory Maqoma and he is astonishing. In the first several minutes of his performance piece, Exit/Exist, we never really see his face. His movements begin slowly … [Read more...]

Mr. B …and the A.B.T.

ABT, Glorya Kaufman Presents Dance at the Music Center, Los Angeles, July 11-14, 2013 Lawrence K. Ho / Los Angeles Times The American Ballet Theatre, based in New York City, mounts an eight-week season of dance performances each spring at Lincoln Center. The balance of the company’s year is largely spent touring the U.S. and the world.  Los Angeles was one of their stop-overs recently—July 11-14, 2013, at the Glorya Kaufman Presents Dance at the Music Center. Four of ABT’s five performances featured one of the very first ballets—“Le Corsaire." This 3-act extravaganza is replete with pirates and slave girls, poisoned roses, Turkish pashas, music by Adolphe Adam, Leo Delibes and three more composers and a ship that sinks in a violent … [Read more...]

An Intimate Arrangement

Le Salon de Musiques: Recital, Camillo Schumann, Fredrick Delius, Frederic Chopin, April 14  Andrew Shulman - Cello, Steven Vanhauwaert - Piano — A great cultural treasure in Los Angeles is hidden in plain sight, high up on the Fifth Floor of the Dorothy Chandler Pavilion. Attendees at a recent performance entered through large doors into an intimate partitioned area of the grand ballroom. A discreet sign read: Le Salon de Musiques. Inside, about 150 people greeted old friends and made new acquaintances. A grand piano, bench and a single chair were situated near the windows. Surrounding this corner was a half-circle of chairs for audience members, some of whom read glossy program notes describing the unique nature the ensuing recital. … [Read more...]

“Rites” of Passage

Celebrating A 100 Years of Le Sacre du Printemps The Joffrey Ballet "Rite of Spring", Dance at the Music Center, February 2013 4handsLA, Le Sacre du Printemps, Jacaranda: Thresholds, February 2013 — While other sixteen year olds sought summer employment behind the counter of MickeyD's or bagging at the local Safeway, I got lucky and was hired as a backstage "runner" at the Hollywood Bowl, the world famous outdoor amphitheater in the foothills of Los Angeles, where music concerts—classical, pop, jazz and rock—have brightened the night sky above since 1922.  As a “runner” and on stand-by for every show, I was assigned to the backstage area.  My close access to the dressing rooms allowed me the chance to meet some of the greatest … [Read more...]