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Uneasy Landscapes – Part 4

Santa Ynez Canyon 3, Decker Canyon, Polpis Woods — Photography by Brian Forrest Related Posts: Uneasy Landscapes — Part 1, Uneasy Landscapes — Part 2,  Uneasy Landscapes — Part 3, Uneasy Landscapes — Part 5 Santa Ynez Canyon 3 Decker Canyon Polpis Woods … [Read more...]

Uneasy Landscapes – Part 3

Masquetuck 1, Masquetuck 2, Windswept Bog — Photography by Brian Forrest Related Posts: Uneasy Landscapes — Part 1, Uneasy Landscapes — Part 2,  Uneasy Landscapes — Part 4, Uneasy Landscapes — Part 5 Masquetuck 1, 2013 Masquetuck 2, 2013 Windswept Bog, 2013 … [Read more...]

Uneasy Landscapes – Part 2

Santa Ynez Canyon 1, Los Liones 5, Santa Ynez Canyon 2 — Photography by Brian Forrest Related Posts: Uneasy Landscapes — Part 1, Uneasy Landscapes — Part 3,  Uneasy Landscapes — Part 4, Uneasy Landscapes — Part 5 Santa Ynez Canyon 1, 2012 Los Liones 5, 2013 Santa Ynez Canyon 2, 2012 … [Read more...]

Uneasy Landscapes – Part 1

Los Liones 1, Los Liones 2, Santa Ynez Canyon 4 — Photography by Brian Forrest Uneasy Landscapes — Part 2, Uneasy Landscapes — Part 3, Uneasy Landscapes — Part 4, Uneasy Landscapes — Part 5 Los Liones 1, 2013 Los Liones 2, 2013 Los Liones 4, 2013 … [Read more...]

Little Scenes 7&8

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Little Scenes 5&6

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Little Scenes 3&4

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —   … [Read more...]

Little Scenes 1&2

Little Scenes, Circa 1978, Diana Camera Contact Prints, Photography by Brian Forrest —     … [Read more...]

Desert Series, Selection_Three

Desert Series, Selection (1991-2000), Photography by Brian Forrest — Two Roads, 1992 Dark Field, 1992 Tissue, 1996 Fence 1997 … [Read more...]

Signs of Our Time

Melrose Avenue Graffiti, Photography by Michael Varhol — I found Graffiti Girl, the work of street artist Common Cents, on Melrose Avenue and was drawn in by her old school Betty Page sexiness and her enticing pose.  With her face half hidden behind an alluringly raised shoulder and spray can at the ready, she symbolizes the inherent illicitness of graffiti and street art, both in its uncensored content and often unauthorized use of public spaces and private property. Like the artists themselves, Graffiti Girl keeps her identity hidden, exemplifying the art form’s seductive outlaw aura while inviting viewers to live a little dangerously themselves. The temporariness of the work, which can appear and disappear within the space of an … [Read more...]